{"id":17494,"date":"2017-11-20T11:35:57","date_gmt":"2017-11-20T14:35:57","guid":{"rendered":"http:\/\/cronicasyversiones.com\/?p=17494"},"modified":"2017-11-20T11:35:57","modified_gmt":"2017-11-20T14:35:57","slug":"la-semana-del-festival-de-cannes-en-el-gaumont","status":"publish","type":"post","link":"http:\/\/cronicasyversiones.com\/?p=17494","title":{"rendered":"La Semana del Festival de Cannes, en el Gaumont"},"content":{"rendered":"<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div><h2>El ciclo tendr\u00e1 largometrajes premiados en la \u00faltima edici\u00f3n realizada en mayo. La programaci\u00f3n arranca con la pel\u00edcula \u201cLovelles\u201d, de Andrey Zvyagintsev.<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17495 aligncenter\" src=\"http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/11\/cannes-1024x579.jpg\" alt=\"\" width=\"766\" height=\"433\" srcset=\"http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/11\/cannes-1024x579.jpg 1024w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/11\/cannes-300x170.jpg 300w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/11\/cannes-768x434.jpg 768w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/11\/cannes.jpg 1253w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><\/p>\n<p>La <strong>Semana del Festival de Cannes,<\/strong> con largometrajes premiados en la \u00faltima edici\u00f3n realizada en mayo y contar\u00e1 con la presencia del director general de esta cita cinematogr\u00e1fica francesa, <strong>Thierry Fr\u00e9maux,<\/strong> tendr\u00e1 lugar en el <strong>Espacio Incaa Gaumont,<\/strong> ubicado en la Avenida Rivadavia 1635, en el Centro porte\u00f1o.<\/p>\n<p>Los films que se exhibir\u00e1n son, el lunes 27 de noviembre, <em><strong>\u201cLovelles\u201d,<\/strong><\/em> \u00faltima obra de <strong>Andrey Zvyagintsev,<\/strong> con una propuesta escalofriante dif\u00edcil de encuadrar, ganadora del Premio Especial del Jurado.<\/p>\n<p>El martes 28 ser\u00e1 el turno de<em><strong> \u201cIn the Fade\u201d<\/strong><\/em>, de <strong>Faith Akin<\/strong>, acerca de un tema pol\u00e9mico, relacionado con el terrorismo y la justicia por mano propia, que mereci\u00f3 el premio a la Mejor Interpretaci\u00f3n Femenina para Diane Kruger.<\/p>\n<p>Mientras que el 29 se anuncia <em><strong>\u201c120 Battements par Minute\u201d<\/strong><\/em>, de <strong>Robin Campillo<\/strong>, seg\u00fan la lucha, en la d\u00e9cada del 90, de un grupo de afectados por el Sida que luchaba por medicamentos, con Nahuel P\u00e9rez Biscayart, Gran Premio del Jurado.<\/p>\n<p>Para el jueves 30 se anuncia<em><strong> \u201cGood Time\u201d<\/strong><\/em>, de <strong>Benny y Josh Safdie<\/strong>, un thriller contundente con eje en la historia de un hombre que emprende un marat\u00f3n violento y as\u00ed conseguir el dinero para la fianza de su hermano, atrapado en la c\u00e1rcel.<\/p>\n<p><em><strong>LEA TAMBI\u00c9N:\u00a0<\/strong><\/em><\/p>\n<div class=\"video-container\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"UKqAgVNHyr\"><p><a href=\"http:\/\/cronicasyversiones.com\/?p=17366\">\u201cLos \u00faltimos\u201d, la \u00f3pera prima de Nicol\u00e1s Puenzo<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab\u201cLos \u00faltimos\u201d, la \u00f3pera prima de Nicol\u00e1s Puenzo\u00bb \u2014    \" src=\"http:\/\/cronicasyversiones.com\/?p=17366&#038;embed=true#?secret=pz0EHbl2Od#?secret=UKqAgVNHyr\" data-secret=\"UKqAgVNHyr\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/div>\n<p>El 1\u00b0 de diciembre se podr\u00e1 ver <em><strong>\u00a0\u201cWestern\u201d<\/strong><\/em>, de <strong>Valeska Grisebach,<\/strong> coproducci\u00f3n entre Bulgaria, Alemania y Austria, acerca de obreros alemanes en los confines del campo b\u00falgaro, que se enfrenta a la desconfianza local vista en Una cierta mirada.<\/p>\n<p>El 2 ira <em><strong>\u201cRedoutable\u201d<\/strong><\/em>, el filme con el <em><strong>Michel Hazanavicious<\/strong><\/em> homenajea a Jean Luc Godard, interpretado por Louis Garrel, y su romance con la joven actriz Anne Wiazemsky durante el rodaje y estreno en Cannes de \u201cLa chinoise\u201d, entre 1966 y 1967.<\/p>\n<p>El cierre, que como todas las funciones ser\u00e1 a las 20.30 en Rivadavia 1635, con la repetici\u00f3n de<em><strong> \u201c120 Battements par Minute\u201d<\/strong><\/em>, de<strong> Robin Campillo,<\/strong> con Nahuel P\u00e9rez Biscayart, en el que tambi\u00e9n participa Adele Haenel..<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div> ","protected":false},"excerpt":{"rendered":"<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div><p>El ciclo tendr\u00e1 largometrajes premiados en la \u00faltima edici\u00f3n realizada en mayo. La programaci\u00f3n arranca con la pel\u00edcula \u201cLovelles\u201d, de Andrey Zvyagintsev. La Semana del Festival de Cannes, con largometrajes premiados en la \u00faltima edici\u00f3n realizada en mayo y&#46;&#46;&#46;<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div>","protected":false},"author":5,"featured_media":17495,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[3998,971],"class_list":["post-17494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","tag-cine-gaumont","tag-festival-de-cannes"],"_links":{"self":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/17494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17494"}],"version-history":[{"count":0,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/17494\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/media\/17495"}],"wp:attachment":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17494"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}