{"id":17725,"date":"2017-12-10T00:04:35","date_gmt":"2017-12-10T03:04:35","guid":{"rendered":"http:\/\/cronicasyversiones.com\/?p=17725"},"modified":"2017-12-09T15:56:35","modified_gmt":"2017-12-09T18:56:35","slug":"hard-to-be-god-una-performance-de-john-romao-en-el-recoleta","status":"publish","type":"post","link":"http:\/\/cronicasyversiones.com\/?p=17725","title":{"rendered":"\u00abHard to be God\u00bb, una performance de John Rom\u00e3o, en el Recoleta"},"content":{"rendered":"<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div><h2>En esta puesta, el espectador podr\u00e1 observar la obra a trav\u00e9s de una ventana de vidrio que separa la acci\u00f3n de su propio cuerpo.<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-17726 aligncenter\" src=\"http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/12\/john-romao_BrunoSimao__670.jpg\" alt=\"\" width=\"670\" height=\"446\" srcset=\"http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/12\/john-romao_BrunoSimao__670.jpg 670w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/12\/john-romao_BrunoSimao__670-300x200.jpg 300w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2017\/12\/john-romao_BrunoSimao__670-480x320.jpg 480w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><\/p>\n<p><em><strong>\u00abHard to be God\u00bb<\/strong><\/em>, una performance dirigida por el portugu\u00e9s<strong> John\u00a0Rom\u00e3o<\/strong>\u00a0donde el espectador podr\u00e1 observar la obra a trav\u00e9s de una ventana de vidrio que separa la acci\u00f3n de su propio cuerpo, como si fuera la moldura de un cuadro, se presentar\u00e1 el jueves 14 y viernes 15 a las 20.30 en el <strong>Centro Cultural Reoleta,<\/strong> ubicado en Jun\u00edn 1930.<\/p>\n<p>La performance refleja el funcionamiento de <strong>t\u00e9cnicas de desaparici\u00f3n del cuerpo,<\/strong> como camuflaje o disimulaci\u00f3n, que dominan la vida cotidiana. En la actualidad, asistimos a la desaparici\u00f3n del lugar y del individuo al mismo tiempo.<\/p>\n<p>\u00bfQu\u00e9 es en realidad lo que ocurre? \u00bfLa desaparici\u00f3n del individuo dentro de su propio cuerpo? \u00bfO la disimulaci\u00f3n del cuerpo por medio de la desaparici\u00f3n del individuo?<\/p>\n<p><em><strong>LEA TAMBI\u00c9N:\u00a0<\/strong><\/em><\/p>\n<div class=\"video-container\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"DlyhnLgGfP\"><p><a href=\"http:\/\/cronicasyversiones.com\/?p=17707\">\u201cEl amor es un bien\u201d regresa a escena en El Camar\u00edn de las Musas<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab\u201cEl amor es un bien\u201d regresa a escena en El Camar\u00edn de las Musas\u00bb \u2014    \" src=\"http:\/\/cronicasyversiones.com\/?p=17707&#038;embed=true#?secret=anS2jYlrjZ#?secret=DlyhnLgGfP\" data-secret=\"DlyhnLgGfP\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/div>\n<p><strong>John\u00a0Rom\u00e3o\u00a0<\/strong>es actor, director de teatro y programador. Vive en Lisboa y desarrolla un trabajo en las \u00e1reas del teatro contempor\u00e1neo y de la performance.<\/p>\n<p>Algunos de sus \u00a0trabajos son <em><strong>\u201cPrimeira Imagem\u201d, \u201cPocilga de Pasolini\u201d <\/strong><\/em>y <em><strong>\u201cTeorema\u201d,<\/strong> <\/em>que fueron co-producidos por el Teatro Nacional D. Maria II, Teatro Nacional S\u00e3o Jo\u00e3o, Culturgest, Festival Citemor y Festival de Almada.<\/p>\n<p>Desde 2006, es\u00a0 ayudante de direcci\u00f3n de varias obras de teatro del dramaturgo y director Rodrigo Garc\u00eda. Colabor\u00f3 con Romeo Castellucci en la Bienal de Teatro de Venecia y la represent\u00f3 en 2013 en el Festival d&#8217;Avignon.<\/p>\n<p>Es profesor invitado de teatro en universidades e instituciones, como la Escuela Superior de Teatro y Cine (Lisboa). Adem\u00e1s, es director art\u00edstico y programador de BoCA &#8211; Biennial of Contemporary Arts (Lisboa y Oporto).<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div> ","protected":false},"excerpt":{"rendered":"<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div><p>En esta puesta, el espectador podr\u00e1 observar la obra a trav\u00e9s de una ventana de vidrio que separa la acci\u00f3n de su propio cuerpo. \u00abHard to be God\u00bb, una performance dirigida por el portugu\u00e9s John\u00a0Rom\u00e3o\u00a0donde el espectador podr\u00e1 observar&#46;&#46;&#46;<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div>","protected":false},"author":5,"featured_media":17726,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[8513,8512],"class_list":["post-17725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teatro","tag-centro-cultural-reoleta","tag-john-romao"],"_links":{"self":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/17725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17725"}],"version-history":[{"count":0,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/17725\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/media\/17726"}],"wp:attachment":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17725"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}