{"id":24134,"date":"2019-08-19T18:44:48","date_gmt":"2019-08-19T21:44:48","guid":{"rendered":"http:\/\/cronicasyversiones.com\/?p=24134"},"modified":"2019-08-19T18:44:48","modified_gmt":"2019-08-19T21:44:48","slug":"david-bowie-en-el-laberinto-una-experiencia-sobre-el-duque-blanco","status":"publish","type":"post","link":"http:\/\/cronicasyversiones.com\/?p=24134","title":{"rendered":"\u201cDavid Bowie en el laberinto\u201d, una experiencia sobre el Duque Blanco"},"content":{"rendered":"<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div><h2>Se trata de un taller dictado por <strong>Juan Rapacioli, para pensar las ficciones sonoras a partir de ocho \u00e1lbumes del m\u00fasico brit\u00e1nico.\u00a0 <\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-24136 aligncenter\" src=\"http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2019\/08\/bowie.jpg\" alt=\"\" width=\"750\" height=\"510\" srcset=\"http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2019\/08\/bowie.jpg 750w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2019\/08\/bowie-300x204.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/p>\n<p><strong>Juan Rapacioli<\/strong> dictar\u00e1 el taller <strong><em>\u201cDavid Bowie en el laberinto\u201d,<\/em><\/strong> una experiencia para pensar las ficciones sonoras, los domingos 8, 15, 22 y 29 de septiembre de 17 a 19.<\/p>\n<p>El encuentro ser\u00e1 en un espacio del barrio de Almagro y los interesados se pueden contactar a trav\u00e9s del mail <strong>raparral@gmail.com<\/strong><\/p>\n<p>\u00bfPor qu\u00e9 David Bowie es uno de los artistas m\u00e1s importantes del siglo XX? Autor de una obra que busca ser le\u00edda desde la literatura, el teatro, el cine y la filosof\u00eda, Bowie expandi\u00f3 las fronteras del rock.<\/p>\n<p>A trav\u00e9s de ocho \u00e1lbumes (dos por encuentro) se har\u00e1 hincapi\u00e9 algunos de sus temas fundamentales: el artificio como procedimiento conceptual, el imaginario espacial que atraviesa toda su producci\u00f3n, la construcci\u00f3n de escenarios dist\u00f3picos, la androginia como disidencia sexual y la imitaci\u00f3n como forma de configurar una po\u00e9tica.<\/p>\n<p>En la apertura se consumar\u00e1 bajo la gu\u00eda <strong><em>\u201cViaje espacial y vac<\/em><\/strong><strong><em>\u00edo existencial. La b<\/em><\/strong><strong><em>\u00fasqueda de una voz a partir del artificio. Alien y andr<\/em><\/strong><strong><em>\u00f3gino. Glam y disidencia sexual\u201d,<\/em><\/strong> una clave de lectura que, en el plano musical, se cruzar\u00e1 con los \u00e1lbumes <strong><em>\u201cSpace Oddity<\/em><\/strong><strong><em>\u201d<\/em><\/strong> (1969) y \u201cThe Rise And The Fall Of Ziggy Stardust And The Spiders From Mars\u201d (1972).<\/p>\n<p><em><strong>LEA TAMBI\u00c9N:<\/strong> <\/em><\/p>\n<div class=\"video-container\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"STWONt9u32\"><p><a href=\"http:\/\/cronicasyversiones.com\/?p=23753\">\u201cEl concierto del aire\u201d y \u00abT\u00edcher de luz\u201d, dos gu\u00edas spinetteanas imprescindibles<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab\u201cEl concierto del aire\u201d y \u00abT\u00edcher de luz\u201d, dos gu\u00edas spinetteanas imprescindibles\u00bb \u2014    \" src=\"http:\/\/cronicasyversiones.com\/?p=23753&#038;embed=true#?secret=DT7i1ERLrr#?secret=STWONt9u32\" data-secret=\"STWONt9u32\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/div>\n<p>En el segundo encuentro <strong><em>\u201cDistop\u00eda y opresi\u00f3n. Una interpretaci\u00f3n de 1984. Muerte y disoluci\u00f3n del sujeto. A\u00f1os negros del Duque Blanco\u201d,<\/em><\/strong> se abordara los discos <strong><em>\u201cDiamond Dogs\u201d<\/em><\/strong> (1974) y <strong><em>\u201cStation To Station\u201d<\/em><\/strong> (1976).<\/p>\n<p><strong><em>\u201cEl regreso de Major Tom. Iron\u00eda y reinvenci\u00f3n. La ansiedad de fin de siglo. El diario de Nathan Adler. Sonido industrial\u201d,<\/em><\/strong> el tercer encuentro, ser\u00e1 sobre lo \u00e1lbumes <strong><em>\u201cScary Monsters (And Super Creeps)\u201d<\/em><\/strong> (1980) y <strong><em><u>\u201cOutside\u201d<\/u><\/em><\/strong> (1995).<\/p>\n<p>El cierre ser\u00e1 con <strong><em>\u201cLa desaparici\u00f3n como performance. Regreso y nostalgia. Conexiones con el pasado. Nombres del mito: David Robert Jones, Thomas Jerome Newton, Lazarus\u201d,<\/em><\/strong> con los \u00e1lbumes <strong><em>\u201cThe Next Day\u201d<\/em><\/strong> (2013) y <strong><em>\u201cBlackstar\u201d <\/em><\/strong>(2016).<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div> ","protected":false},"excerpt":{"rendered":"<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div><p>Se trata de un taller dictado por Juan Rapacioli, para pensar las ficciones sonoras a partir de ocho \u00e1lbumes del m\u00fasico brit\u00e1nico.\u00a0 Juan Rapacioli dictar\u00e1 el taller \u201cDavid Bowie en el laberinto\u201d, una experiencia para pensar las ficciones sonoras,&#46;&#46;&#46;<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div>","protected":false},"author":5,"featured_media":24136,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[3061],"class_list":["post-24134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","tag-david-bowie"],"_links":{"self":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/24134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24134"}],"version-history":[{"count":0,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/24134\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/media\/24136"}],"wp:attachment":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24134"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}