{"id":35220,"date":"2022-11-02T21:02:15","date_gmt":"2022-11-03T00:02:15","guid":{"rendered":"http:\/\/cronicasyversiones.com\/?p=35220"},"modified":"2022-11-02T21:02:16","modified_gmt":"2022-11-03T00:02:16","slug":"mutis-hefesto-de-martin-barreiro-en-el-teatro-el-convento","status":"publish","type":"post","link":"http:\/\/cronicasyversiones.com\/?p=35220","title":{"rendered":"\u00abMutis, Hefesto\u00bb, de  Mart\u00edn Barreiro, en el teatro El Convento"},"content":{"rendered":"<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div><h2>La obra toma como eje al fil\u00f3sofo alem\u00e1n Friedrich Nietzsche y su libro \u00abEl ocaso de los \u00eddolos\u00bb.<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-35221 aligncenter\" src=\"http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2022\/10\/0-1-1-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2022\/10\/0-1-1-300x300.jpeg 300w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2022\/10\/0-1-1-1024x1024.jpeg 1024w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2022\/10\/0-1-1-768x768.jpeg 768w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2022\/10\/0-1-1-200x200.jpeg 200w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2022\/10\/0-1-1-320x320.jpeg 320w, http:\/\/cronicasyversiones.com\/wp-content\/uploads\/2022\/10\/0-1-1.jpeg 1484w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em><strong>\u00abMutis, Hefesto\u00bb,<\/strong><\/em> escrita y dirigida por <strong>Mart\u00edn Barreiro<\/strong>, que toma como eje al fil\u00f3sofo alem\u00e1n <strong>Friedrich Nietzsche<\/strong> y su libro <em><strong>\u00abEl ocaso de los \u00eddolos\u00bb<\/strong><\/em>, donde plantea una reflexi\u00f3n sobre lo feo y lo bello, se ve los viernes a las 20 en el teatro <strong>El Convento,<\/strong> Reconquista 269, barrio de San Nicol\u00e1s.<\/p>\n<p>Nietzsche (1844-1900) contribuye a establecer la disyuntiva entre el an\u00e1lisis subjetivista de la est\u00e9tica versus el estudio objetivo de lo est\u00e9tico; se considera que su posici\u00f3n es relativista, puesto que para \u00e9l lo verdaderamente bello es el ser humano.<\/p>\n<p>En la trama, Ella y \u00c9l pasan sus horas enfrentados y a la espera; como cazadores aguardan a su presa: un joven cadete llega para desatar la lujuria, la lucha por poseer la belleza que han perdido o que, quiz\u00e1s, jam\u00e1s tuvieron.<\/p>\n<p>Act\u00faan<strong> Samira Murad, Fernando Blanes y Ariel Puente,<\/strong> con escenograf\u00eda, vestuario y luces de MB-MB.<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div> ","protected":false},"excerpt":{"rendered":"<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div><p>La obra toma como eje al fil\u00f3sofo alem\u00e1n Friedrich Nietzsche y su libro \u00abEl ocaso de los \u00eddolos\u00bb. \u00abMutis, Hefesto\u00bb, escrita y dirigida por Mart\u00edn Barreiro, que toma como eje al fil\u00f3sofo alem\u00e1n Friedrich Nietzsche y su libro \u00abEl&#46;&#46;&#46;<\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_counters\" href=\"https:\/\/www.hupso.com\/share\/\"><img src=\"http:\/\/static.hupso.com\/share\/buttons\/lang\/es\/share-small.png\" style=\"border:0px; padding-top:2px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_c=new Array(\"twitter\",\"facebook_like\",\"google\");var hupso_counters_lang = \"es_LA\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"crsyvrs\";var hupso_url_c=\"\";<\/script><script type=\"text\/javascript\" src=\"http:\/\/static.hupso.com\/share\/js\/counters.js\"><\/script><!-- Hupso Share Buttons --><\/div>","protected":false},"author":5,"featured_media":35221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-35220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teatro"],"_links":{"self":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/35220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35220"}],"version-history":[{"count":2,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/35220\/revisions"}],"predecessor-version":[{"id":35223,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/posts\/35220\/revisions\/35223"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=\/wp\/v2\/media\/35221"}],"wp:attachment":[{"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35220"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cronicasyversiones.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}